Editor in a Television Documentary Program Titled Compromising with the Pandemic with Tarra Budiman
This qualitative research with a descriptive approach aims to produce a television documentary program entitled "Compromising with the Pandemic with Tarra Budiman". Data collection techniques: literacy, observation, and interviews with research objects. The results of the discussion stated: (1) The author as the editor presents facts about Tarra Budiman's struggle to survive economically during the pandemic; (2) Audience segmentation in this program is 13-50 years old with socio-economic status A,B,C; (3) A documentary program that lasts 13 minutes and 8 seconds with the characteristics of live record production (tapping); (4) Editor at the pre-production stage: in charge of following the process of making story ideas; (5) The editor in the production stage coordinates the cameraperson to take pictures according to the scenario that has been created, and assists the cameraperson in shooting (6) The editor in the post-production stage is responsible for constructing the course of the story according to the scenario that has been created by the producer. The conclusion of an editor is that he must be able to convey the message of a human interest documentary video with a deep message, hoping that the audience will be immersed in the story of the source.
P. Ramasoota and A. Kitikamdhorn, “‘The Netflix effect’ in Thailand: Industry and regulatory implications,” Telecomm. Policy, vol. 45, no. 7, p. 102156, 2021, doi: https://doi.org/10.1016/j.telpol.2021.102156.
A. Kardiman and H. Windratno, “Komodifikasi anak dalam program acara reality show di Trans TV,” Inter Komunika, vol. 1, no. 1, pp. 28–47, 2016.
M. A. Morissan, Manajemen Media Penyiaran: Strategi Mengelola Radio & Televisi Ed. Revisi. Prenada Media, 2018.
R. Latief, Panduan Produksi Acara Televisi Non Drama. Jakarta: Kencana, 2020.
kemenkeu.go.id, “Kajian Dampak COVID-19 Terhadap Pasar Tenaga Kerja dan Respons Kebijakan di Kawasan Asia dan Pasifik,” 2021. https://fiskal.kemenkeu.go.id/kajian/2021/08/18/2433-kajian-dampak-covid-19-terhadap-pasar-tenaga-kerja-dan-respons-kebijakan-di-kawasan-asia-dan-pasifik
P. Kaderka, “Dialogical networking as a journalistic practice: The case of Czech television news production,” Discourse, Context Media, vol. 54, p. 100715, 2023, doi: https://doi.org/10.1016/j.dcm.2023.100715.
R. Latief and Y. Utud, Kreatif Siaran Televisi: Hard News, Soft News, Drama, Non-Drama. Jakarta: Kencana, 2017.
J. P. Putra, F. Syarief, and S. Susana, “Analisis program non drama terhadap minat promosi dan minat masyarakat berkunjung dalam peran serta stasiun televisi,” Akrab Juara J. Ilmu-ilmu Sos., vol. 7, no. 4, pp. 47–59, 2022.
A. B. A. Yopa, “PERAN EDITOR DALAM PEMBUATAN FILM ‘20 Hz.’” SEKOLAH TINGGI ILMU KOMUNIKASI (STIKOM) YOGYAKARTA, 2018.
M. D. Wijaya, S. Sumijaty, and U. Fatoni, “Pesan dakwah dalam program televisi Muslim Travelers NET.,” Prophet. Sci. Res. J. Islam. Commun. Broadcast., vol. 5, no. 1, 2019.
Morissan, Manajemen Media Penyiaran: Strategi Mengelola Radio & Televisi. Jakarta: Kencana, 2018.
I. Villegas-Simón and M. T. Soto-Sanfiel, “Similarities in adaptations of scripted television formats: The global and the local in transnational television culture,” Poetics, vol. 86, p. 101524, 2021, doi: https://doi.org/10.1016/j.poetic.2020.101524.
H. Mumtaz, “PERAN VIDEO EDITOR DALAM MEMPRODUKSI BERITA BREAKING NEWS DAN FLASH NEWS DI CHANNEL YOUTUBE MATA MILENIAL INDONESIA TV,” Synerg. J. Ilm. Multidisiplin, vol. 1, no. 05, pp. 301–315, 2024.
Komite Penanganan Covid-19 dan Pemulihan Ekonomi Nasional, “Apa yang Dimaksud dengan Pandemi?,” 2020.
Warta Ekonomi, “Apa Itu Pandemi?,” 2020.
Komite Penanganan Covid-19 dan Pemulihan Ekonomi Nasional, “[SALAH] Virus Corona adalah Sejenis ‘Jamur atau Mould,’” 2020.
BBC News, “Covid-19 Indonesia Mencapai Setengah Juta Kasus Positif, 25% Di antaranya Ada di Jakarta,” 2020.
Presiden Republik Indonesia, Peraturan Pemerintah Tentang Pembatasan Sosial Berskala Besar dalam Rangka Percepatan Penanganan COVID-19. Indonesia, 2020.
rctiplus.com, “Profil dan Biodata Tarra Budiman, Aktor yang Menikah dengan Kakak Alshad Ahmad,” 2023. https://www.rctiplus.com/news/detail/seleb/4067328/profil-dan-biodata-tarra-budiman-aktor-yang-menikah-dengan-kakak-alshad-ahmad
LKBN Antara, “Komorebi, Brand Makanan Jepang Siap Saji Rintisan Tarra Budiman,” 2020.
kompas.com, “Restoran Cepat Saji ala Jepang Baru dari Tarra Budiman,” 2020. https://www.kompas.com/food/read/2020/11/29/161600275/restoran-cepat-saji-ala-jepang-baru-dari-tarra-budiman#google_vignette
Sugiyono, Metode Penelitian Kuantitatif, Kualitatif dan R&D. Bandung: Alfabeta, 2018.
I. G. Saputra, “CAMERAMAN DALAM PROGRAM DOKUMENTER TELEVISI BERJUDUL BERKOMPROMI DENGAN PANDEMI BERSAMA TARRA BUDIMAN,” Inter Community J. Commun. Empower., vol. 3, no. 1, pp. 41–68, 2022.
M. R. Akbar et al., MULTIMEDIA: Teori dan Aplikasi dalam Dunia Pendidikan. PT. Sonpedia Publishing Indonesia, 2023.
P. Javandalasta, 5 Hari Mahir Bikin Film. Batik publisher, 2021.
F. M. Tanjung and M. Habibi, “Analisis Produksi Program Kabar Misteri Jakarta Televisi (JAKTV),” TUTURAN J. Ilmu Komunikasi, Sos. dan Hum., vol. 2, no. 2, pp. 79–97, 2024.
S. Y. Aji, “PERAN EDITOR DALAM PRODUKSI FILM ‘VOICE CALL.’” Stikom Yogyakarta, 2019.
K. A. Muafa and F. Junaedi, “Model Manajemen Produksi Film Dokumenter Bulu Mata Karya Tonny Trimarsanto,” CHANNEL J. Komun., vol. 8, no. 1, p. 1, 2020.
S. K. Irianto, “GAYA EKSPOSITORI DALAM PENYUTRADARAAN FILM DOKUMENTER THE STORY OF LEGENDARY ASINAN BETAWI H. ASYUMUNI TAHUN 78,” CALACCITRA J. Film DAN Telev., vol. 3, no. 2, pp. 110–120, 2023.
K. ALHALIMI, “STRATEGI MANAJEMEN PRODUKSI PROGRAM ACARA BAKAT ORANG MUDA DI TVRI RIAU DALAM MENARIK MINAT PENONTON.” UNIVERSITAS ISLAM NEGERI SULTAN SYARIF KASIM RIAU, 2022.

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
© 2024 Farhan Akbar Djafar, Arryadianta Arryadianta

